AES+F
ARZAMASOVA, TATIANA
Was born in 1955, graduated from Moscow Architectural Institute (MARCHI) – State Academy in 1978. Lives and works in Moscow.
Was occupied in conceptual architecture. Award winner «Grand-Prix» of a jointly OISTT and UNESCO competition «Theatre of Future». Participated in conceptual architecture exhibitions in London, Paris and Venice.
EVZOVICH, LEV
Was born in 1958, graduated from Moscow Architectural Institute (MARCHI) – State Academy in 1982. Lives and works in Moscow.
Was occupied in conceptual architecture. He is prizewinner of the OISTT competition «The Tour Theatre» in Stockholm. Participated in conceptual architecture exhibitions in Milan, Frankfurt-on-Main, Paris. Worked as art director in animation films (6 films) and as director in puppet animation films. Also worked as art director in the film «Sunset» (live action, «Mosfilm» studio).
SVYATSKY, EVGENY
Was born in 1957, graduated from Moscow University of Printing Arts (department of book graphic arts) in 1980. Lives and works in Moscow.
Was occupied with book and advertising design, poster and graphic art. Participated in international poster competitions, exhibitions of book illustration and design, graphic art.
Worked as creative director in a few publishing houses in Moscow («Otkryty Mir» and «Intersignal»).
The artists united as AES group in 1987. In some projects since 1995 AES group collaborates with photographer Vladimir FRIDKES (AES+F group).
FRIDKES, VLADIMIR
Born in Moscow in 1956, lives and works in Moscow.
Works as a photographer of fashion. Published in magazines: VOGUE, Harper`s Bazaar, ELLE, Marie Claire, Cosmopolitan, Sunday Times Style and others.
Since 1995 collaborates with AES group.
Participated in exhibitions:
«Fashion and Style in Photography», 2001, Manege, Moscow.
«Art Moscow 2001», Central House of Artist, Moscow.
«Photobiennial-2002», Manege, Moscow.
«Fashion and Style in Photography», 1999, Manege, Moscow.
«Photobiennial-98», Manege, Moscow.
«Fashion and Style in Photography», 1997, Manege, Moscow.
«Photobiennial-96», Manege, Moscow.
«Kiev Art Meeting» Ukrainian House, 1995, «Alipiy» Gallery, Kiev, Ukraine.
Also participated in exhibitions with AES group.
Projects
| 2007 | «Europe, Europe», a series of porcelain sculptures, AES, (work in progress). «The First Rider», a plastic sculpture, AES+F, (work in progress). «Last Riot. Sculptures», an aluminum sculpture group, AES+F, (work in progress). «Defile», a series of digital collages (light boxes) and multimedia, AES+F, (work in progress). |
| 2006 | «The First Rider», a plastic sculpture, AES+F, (work in progress). «Europe, Europe», a series of porcelain sculptures, AES, (work in progress). «Last Riot. Sculptures», an aluminum sculpture group, AES+F, (work in progress). «Last Riot», HD video, AES+F. «Last Riot 2», a series of digital collages, AES+F. «AHL Sculptures», a bronze sculpture group, AES+F. |
| 2005 | «Last Riot 2», a series of digital collages, AES+F, (work in progress). «Last Riot», a series of digital collages, AES+F. «Action Half Life. Episodes 1», a series of digital collages and drawings on paper, AES+F. «AHL Sculptures», a bronze sculpture group, AES+F, (work in progress) |
| 2004 | «Action Half Life. Episodes 1», a series of digital collages and drawings on paper, AES+F (work in progress). |
| 2003 | «Space Bedouin». «KFNY (The King of the Forest, NY)», the 3rd project from the cycle «The King of the Forest», a series of photographs and video, AES+F. «Action Half Life. Episodes 3 and 2», a series of digital collages and drawings on paper, AES+F. «Othello by Shakespeare», a theatre project, Alexander Zeldovich and AES. |
| 2002 | «More Than Paradise», 2nd project from Cycle «King of the Forest», a series of photographs and video, AES+F. |
| 2001 | «Le Roi des Aulnes», 1st project from Cycle «King of the Forest», a series of photographs and video, AES+F. «Manufacture», photo installation, AES+F. |
| 2000-2001 | «Defile», a series of digital collages (proofs) and multimedia, AES+F, (work in progress). |
| 2000 | «OASIS», from the «Islamic Project», a series of handmade carpets, installation, AES. |
| 1999-2000 | «Othello. Asphyxiophilia», video and a series of photographs, photo - AES+F, video - AES. |
| 1998 | «Who Wants to Live Forever...», a series photographs and video, photo - AES+F, video - AES. «The Yellow is Cooking, the White is Eating», video installation, AES. |
| 1997-1998 | «Gostinniy Dvor» Multipurpose Public Space, Moscow, an architectural and design project, AES. |
| 1997 | «Suspects. The Seven Inner and the Seven Righteous», a series of photographs, installation, AES+F. «Eisenstein Palace» Media Center, Moscow, an architectural project, AES. |
| 1996 | « AES – Witnesses of the Future. Islamic Project», a series of digital collages, objects, installation & action, AES. «Corruption. Apotheoses», a series of photographs, installation, AES+F. |
| 1995 | «The Prince and The Beggar», a series of photographs, installation, AES, photographer Vladimir Fridkes. «The Trauma of the Spine», photograph, installation, AES with Brian Conery, photographer Vladimir Fridkes. «Family Portrait in the Interior», a series of photographs, installation, AES, photographer Vladimir Fridkes. |
| 1994-1995 | «Body Space», photo objects, installation, AES. |
| 1994 | «Gesher» Theatre, Tel Aviv, an architectural project, AES. |
| 1993 | «Art of Possibility», objects, installation, AES. |
| 1992 | «Children's Bible», a series of painting, objects, installation, AES. |
| 1991 | «Decorative Anthropology», a series of painting, objects, installation, AES. |
| 1990 | «Rhetoric of Pathos», a series of painting, objects, installation, AES. |
| 1989 | «Apollo, Inspiring an Epic Poet», a series of drawings, a series of carpets, installation and book project, AES. |
| 1988 | «Russian Landscape of 19th Century», a series of collages, a series of carpets, installation and a book project, AES. «New Crony - Double Rainbow», painting and book project, AES. |
| 1987 | «Serseau», a series of collages, installation and edition of posters, AES. |
Group Exhibitions:
| 2008 | "I LOVE YOU VIENNA", General Aviation Center, Vienna-Schwechat |
| 2007 | «A BRAVE NEW WORLD», Cobra Museum of Modern Art, Amstelveen, The Netherlands. «MARAT'S CHOICE», A special project of 2nd Moscow Biennale of Contemporary Art, M. Guelman Gallery, M. Guelman Foundation for Contemporary Art, State Central Museum of Modern History of Russia, Moscow, Russia. «GORE OT UMA (THE WOES OF WIT)», A special project of 2nd Moscow Biennale of Contemporary Art, State Museum of Literature, Moscow, Russia. «ARTIST’S DIARY», a special project of 2nd Moscow Biennale of Contemporary Art, Central House of Artist, M. Guelman Gallery, Moscow, Russia. «ARCO», Ifema – Parque Ferial Juan Carlos I, Salvador Diaz Galeria, Madrid, Spain. «GATEKEEPERS. Russian Art Scene In The Flow Of Information», Knoll Galerie Wien, Vienna, Austria. «VERYU (I BELIEVE)», Center of Contemporary Art «Vinzavod», Moscow, Russia. «OTTEPEL (THAW)» (IN THE MIDDLE OF THE ROAD), State Russian Museum and M.Guelman Gallery, St.-Petersburg, Russia. «HISTORY OF RUSSIAN VIDEO ART: VOLIME 1», Moscow Museum of Modern Art, Moscow, Russia. «ART MIAMI 2007», Convention Center Miami Beach, Juan Ruiz Galeria (Maracaibo), Miami Beach, USA |
| 2006 | «GAMESCAPES». Videogame Landscapes and Cities in the Works of Five International Artists, Civic Gallery, Monza, Italy. «KRIEG DER KNOEPFE - KINDER UND DIE WELT DES KRIEGES», Ursula Blickle Stiftung, Kraichtal, Germany. «MUTATIONS 1», Martin-Gropius-Bau, Berlin Germany. «MUTATIONS 1», MEP - Maison Europeene de la Photographie, Paris, France. «MUTATIONS 1», Casino Luxembourg - Forum d'art contemporain, Luxembourg. «TO RELEASE EMOTIONS. MYTHS. SYMBOLS. SYSTEMS» in framework of the project Poles Russians mutual relations «FOREVER LOST?», Knoll Galerie Wien, Vienna, Austria. «THE GRAPHIC IMPERATIVE. The International Posters for Peace, Social Justice and the Environment 1965-2005», The Design Center of Philadelphia University, Philadelphia (April 3-May 31), AIGA National Design Center, New York (June 15-August 18), USA. «FOTOFEST 2006 - The Earth / Artists Responding to Violence», The Eleventh International Biennial of Photography and Photo-related Art, Fotofest, Houston, USA. «VOILER – DEVOILER», Villa du Parc - Centre d'Art Contemporain, Annemasse, France. «ARCO 2006», Galeria Salvador Diaz, Knoll Galerie Wien, Madrid, Spain. «ART MIAMI 2006», Juan Ruiz Galeria, Convention Center Miami Beach, Miami Beach, USA «ARS 06. Sense of the Real», Kiasma Nykytaiteen musee (Museum of Contemporary Art), Helsinki, Finland. |
| 2005 | «UN NUEVO Y BRAVO MUNDO / BRAVE NEW WORLD», Sala Alcala 31, Comunidad de Madrid, Madrid, Spain. «RUSSIA 2. Bad news from Russia», White Box, The Annex, Magnan Projects' Annex, New York, USA. «MOSCOW BREAKTHROUGH», Academia Rossica, Bargehouse, Oxo Tower Wharf, London, UK. «STREET, ART AND FASHION», Exposition dans le cadre de Europalia Russia - Russian vision on Europe, Museum voor Fotografie, Antwerpen, Belgium. «4TH TIRANA BIENNALE OF CONTEMPORARY ART», Tirana Biennale 3 - Sweet Taboos / (Episodes 5), Museum of Contemporary Art, Tirana, Albania. «BARROCOS Y NEOBARROCOS. EL INFIERNO DE LO BELLO / BAROQUE AND NEOBAROQUE. THE HELL OF THE BEAUTIFUL», Domus Artium 2002 (DA2), Salamanca, Spain. «XIV FERIA IBEROAMERICANA DE ARTE», Caracas, Venezuela. «DE SCULPTURA», Galerie RUZICSKA, Max Gandolph Bibliothek, Salzburg, Austria. «ROUNDHOUSE», Galerie RUZICSKA, Salzburg, Austria. «MIXED-UP CHILDHOOD», Auckland Art Gallery, Auckland, New Zealand. «JUST DO IT!», Lentos Museum, Linz, Austria. «STARZ», special project on 1st Moscow Biennale of Contemporary Art, Moscow Museum of Contemporary Art, Moscow, Russia. «RUSSIA 2», special project on 1st Moscow Biennale of Contemporary Art, Guelman Gallery, Central House of Artist, Moscow, Russia. «ACCOMPLICES. Collective and interactive works in Russian Art of the 1960s-2000s», State Tretyakov Gallery, Moscow, Russia. «INVASION», special project on 1st Moscow Biennale of Contemporary Art, Multimedia Complex for Actual Arts, Moscow, Russia. «ACTUAL RUSSIAN ART», Kunstverein Villa Streccius, Landau, Germany. |
| 2004 | «ACTUAL RUSSIAN ART», Museum of Contemporary Art, Zagreb, Croatia. «GOING PUBLIC '04. Maps, confines, new geographies», Urban interventions, workshops, movies, public debates, aMAZE lab, Modena, Italy. «ARLES RENCONTRES DE LA PHOTOGRAPHIE 2004», Exhibitions, Workshops and Festival, (by Moscow House of Photography), Arles, France. «MUSICA 90», «ART LIVE 4», Festival Internazionale di Contaminazioni, Fondazione Sandretto Re Rebaudengo, Torino, Italy. «14TH BIENNALE OF SYDNEY», Museum of Contemporary Art, Sydney, Australia. «5TH INTERNATIONAL MONTH OF PHOTOGRAPHY IN MOSCOW. PHOTOBIENNIAL-2004», Museum of Contemporary Art, Moscow, Moscow House of Photography, Russia. «MOSCOW-BERLIN/BERLIN-MOSCOW», National Historical Museum, Moscow, Russia. VEIL. Institute of International Visual Arts (inIVA), Kulturhuset, Stockholm, Sweden. «LONDON ART FAIR 2004», «Le Roi des Aulnes», Artek Gallery, Business Design Centre, London, UK. «ART MIAMI 2004», «Islamic Project. Oasis», COFA/Claire Oliver Fine Art (NYC), Miami Beach Convention Center, Miami Beach (FL), USA. |
| 2003 | «THE NEW COUNTING: DIGITAL RUSSIA TOGETHER WITH SONY», Guelman Gallery, Central House of Artist, Moscow, Russia. «VEIL». Institute of International Visual Arts (inIVA), The Modern Art Oxford, Oxford, England. «MOSCOW-BERLIN», Martin Gropius Bau, Berlin, Germany. «GLOBAL > DETAIL. Noordelicht X», USVA Noorderlicht Photo Gallery, Groningen, Holland. «NEUE ANSATZE / ZEITGENOSSISCHE KUNST AUS MOSKAU», Düsseldorf Kunsthalle, Germany. «SPACE BEDOUIN» Real Utopia, Rotor, Graz, Austria. «UBER MENSCHEN», Gallery, Modena, Italy. «ACTION HALF LIFE», Workshop Art Moscow, Central House of Artist, Moscow, Russia. «UBER MENSCHEN», Galerie ACC, Weimar, Germany. «ARCO» Art Fair, Galerie Sollertis, Madrid, Spain. «VEIL», Institute of International Visual Arts (inIVA), The New Art Gallery Walsall, England. |
| 2002 | «GROUP SHOW», COFA/Claire Oliver Fine Art, New York, USA. «MONTH OF PHOTOGRAPHY IN BRATISLAVA», Slovakia. «ART VIENNA 2002», MAK museum, Knoll Galerie Wien, Vienna, Austria. «ART COLOGNE 2002», Knoll Galerie Wien, Cologne, Germany. «ART FORUM BERLIN 2002», Berlin Messe, Galerie Sollertis, Berlin, Germany. «FESTIVAL ARS ELECTRONICA», AEC Ars Electronica Center, Linz, Austria. «NEW YORK AFTER NEW YORK», Musèe de l’Elisèe, Lausanne, Switzerland. «RE-ORIENTATION», Galerie ACC, Weimar, Germany. «4TH GWANGJU BIENNALE», Gwangju, Project 1, South Korea. «ART BRUSSELS 2002», Gallerie Sollertis, (Toulouse, France) Belgium. |
| 2001 | «AES+F, SOPHIE CALLE, FABRICE HUBERT, ELIAN LILLE», Galerie Sollertis, Toulouse, France. «PARIS PHOTO», Paris, Galerie Care Noir (Paris), France. «FIAC», Paris, Galerie Sollertis (Toulouse), France. «ART FORUM BERLIN», Galerie Sollertis (Toulouse), Germany. «INTERNATIONAL NOORDELICHT PHOTO FESTIVAL», USVA Noorderlicht Photo Gallery, Groningen, Holland. «RUSSIA», Grafeneg Castle, Austria. «ART CHICAGO», Galerie Sollertis (Toulouse), USA. «WARHOL CONNECTIONS», Guelman Gallery, L Gallery, Moscow. «ART MOSCOW» Art Fair, Central House of Artist, Guelman Gallery and NCCA, Moscow. «FASHION AND STYLE IN PHOTOGRAPHY» – special project «Manufacture», Maliy Manege, Moscow. «ISKUSSTWO 2000, NEUE KUNST AUS MOSKAU, ST. PETERSBURG UND KIEW», Kunstverein Rosenheim, Germany. |
| 2000 | «PAYSAGES URBAINE», Le Quartier CCA, Quimper, France. «DOLL BY THE STAR», Museum of Architecture, Moscow, Russia. «SERIALS», State Center of Contemporary Art, «Manege» Central Exhibition Hall, Moscow, Russia. 5E BIENNALE DE LYON, Halle Toni Garnier, Lyon, France. Les Abattoirs, Toulouse, France. «BEZUMNY DVOYNIK» («CRAZY TWIN»), Ecole de Beaux Arts, Paris, France. «ARCHITECTURE AND DESIGN-2000», Expopark, Central House of Artist, Moscow, Russia. «DESPITE», Bokov Project, Museum of Architecture, Moscow, Russia. «DYNAMIC COUPLES», Guelman Gallery, «Manege» Central Exhibition Hall, Moscow, Russia. «EIN GESPRÄCH – RAZGOWOR – RAZMOWA», Künstlerhaus Bethanien, Berlin, Germany. |
| 1999 | «BEZUMNY DVOYNIK» («Crazy Twin»), Central House of Artist, Moscow. «AFTER THE WALL», Museum of Modern Art, Stockholm, Sweden. «FESTIVAL ATLANTICO'99», Lisbon, Portugal. «DOM» («HOUSE»), Festival «Moscow Alternative», Guelman Gallery, Moscow, Russia. Kunsthalle «Faust», Hannover, Germany. «PROPAGANDA ART», Lombard-Freid Fine Arts, New York, USA. «UN MATIN DU MONDE», Eric Dupont Gallery, Paris, France. |
| 1998 | «3 PENNY SHOW», Rutgers University, Mason Gross School of Art, New Brunswick (NJ), USA. «MEDIALIZATION», Edsvick Museum, Stockholm, Sweden. «ACADEMY OF FROST», Fine Arts Museum, Soros Centre for Contemporary Art, Odessa, Ukraine. «2ND INTERNATIONAL MONTH OF PHOTOGRAPHY IN MOSCOW. PHOTOBIENNIAL-98», Central Exhibition Hall «Manege», Moscow. «11TH TALLINN PRINT TRIENNIAL», curated exhibition «Tangents», Tallinn Art Hall, Tallinn, Estonia. «EUROPEAN ART FORUM», Art Media Center «TV Gallery» (Moscow), Ber1in, Germany. |
| 1997 | «FORUM OF ART INITIATIVES», Maliy Manege, Moscow. «THE WORLD OF THE PERCEPTIBLE THINGS IN PICTURES — END OF THE 20TH CENTURY», Pushkin State Museum of the Fine Arts, M’ars Gallery, Moscow. «MOSKOU VANDAAG», De Vereniging Voor het Museum van hedendaagse Kunst te Gent, Gent, Belgium. |
| 1996 | «1ST INTERNATIONAL MONTH OF PHOTOGRAPHY IN MOSCOW. PHOTOBIENNIAL-96», House of Artist on Kuznetsky Most, Moscow. «EUROPEAN ART FORUM», Guelman Gallery (Moscow), Berlin, Germany. «CONTEMPORARY RUSSIAN PHOTOGRAPHIE», «La Base» Center of Contemporary Art, Paris. |
| 1995 | «MULTIPLICATION», «Kashirka» Exhibition Hall, Collection of Contemporary Art of Tzaritzino Museum, Moscow. «AUTUMN EXHIBITION», Guelman Gallery, Moscow. «KIEV ART MEETING» Ukrainian House, «Alipiy» Gallery, Kiev, Ukraine. «ZEITGENOSSISCHE FOTOKUNST AUS MOSKAU» Neuer Berliner Kunstverein, Berlin. «MOSKAU MEETS BERLIN», Berliner Firmen prasentieren Moscauer Künstlerinnen und Künstler (Aengevelt Immobilienmakler, Dresdner Bank AG, Fritz Palm «Burototal» Buromaschinen-Burobedarf GMbH, Mercedes-Benz AG), Horn+Stammer Art Management, Berlin, Germany. |
| 1994 | «CONVERSION», Guelman Gallery, Helsinki, Finland. |
| 1993 | «CONVERSION», Guelman Gallery, Moscow. «MOSCOW ART FAIR - ART-MIF», Central Exhibition Hall (Manege), Moscow. «777», Museum of Contemporary Art, Stockholm, Sweden; Aspex Gallery, Portsmouth, England; Reykjavik Art Museum, Island; Nova Gallery, Bratislava, Slovakia; Rheinopera Cultural Center, Duisburg, Germany. «ART HAMBURG», Hamburg, Germany. |
| 1992 | «ARS BALTICA PROLOG. FACE TO FACE», Künstlerhaus «Bethanien», Berlin, Germany. |
| 1991 | «MOSCOW IN CAMBRIGE», Imperial College, London, UK. «EXERCISES AESTHETIC», Museum «Estate Kuskovo of 18th Century», Moscow. «ARS BALTICA PROLOG. FACE TO FACE», Kunsthalle, Kiel, Germany, Exhibition Hall «Latvia», Riga, Latvia. |
| 1990 | «MOSCOW IN CAMBRIDGE», Emmanuel College, Cambridge, England. |
FILM FESTIVALS:
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| 2000 | «IMPACT FILM FESTIVAL», Utrecht, Holland. |
| 1999 | «SPLIT FILM FESTIVAL», Split, Croatia. |
SOLO EXHIBITIONS OF AES GROUP:
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| 2006 | «AES+F», the presentation on EFAH conference, City Hall, Helsinki, Finland. «AES+F. LAST RIOT 2», Salvador Diaz Gallery, Madrid, Spain. «AES+F», Galerie Charlotte Moser, Geneva, Switzerland. «AES+F. LAST REBELLION (LAST RIOT 2)», Moscow Photobiennale 2006, Moscow, House of Photography, Central Exhibition Hall, Manege. Moscow, Russia. «AES+F. KING OF THE FOREST», IMA - Institute of Modern Art, Brisbane, Australia. |
| 2005 | «AES+F. THE KING OF THE FOREST, MORE THAN PARADISE, LE ROI DES AULNES + KFNY», Juan Ruiz Galeria, Maracaibo, Venezuela. «AES GROUP. ISLAMIC PROJECT», Claire Oliver, New York, USA. «AES+F. Action Half Life», Galerie RUZICSKA, Salzburg, Austria. |
| 2004 | «AES+F GROUP. ACTION HALF LIFE», Galerie Knoll Wien, Vienna, Austria. |
| 2003 | «ACTION HALF LIFE. EPISODE 2», Guelman Gallery, Moscow, Russia. «ACTION HALF LIFE. EPISODES 2&3» personal presentation of AES+F group on «Paris Photo 2003», Paris, Galerie Care Noir (Paris), France. «THE KING OF THE FOREST: NEW YORK (KFNY)», COFA / Claire Oliver Fine Art, New York, USA. «AES GROUP. OASI – ESPANYA ISLАMICA», Sala Montcada, La Caixa Foundation, Barcelona, Spain. |
| 2002 | «LE ROI DES AULNES», Galerie Knoll Budapest, Budapest, Hungary. «LE ROI DES AULNES», Galerie Knoll Wien, Vienna, Austria. |
| 2001 | «WORKSHOP ART MOSCOW», Central House of Artist, Moscow. «AES. ISLAMIC PROJECT», Galerie Sollertis, Toulouse, France. |
| 2000 | «AES TRAVEL AGENCY TO THE FUTURE – ISLAMIC PROJECT», SIETAR Europe Congress 2000, Brussels, Belgium. «AES GROUP. ISLAMIC PROJECT», Jean-Marc Patras – N.O.M.A.D.E., Paris, France. |
| 1999 | «AES NOMADE MAKES STOP IN NEW YORK», Art in General, New York. «AES TRAVEL AGENCY TO THE FUTURE», Festival Atlantico-99, Lisbon, Portugal. «AES TRAVEL AGENCY TO THE FUTURE», «Sture Galerian», the city intervention during «After the Wall», Museum of Modern Art, Stockholm, Sweden. |
| 1998 | «THE YELLOW IS COOKING, THE WHITE IS EATING», Art Media Center «TV Gallery», Moscow. |
| 1997 | «AES TRAVEL AGENCY TO THE FUTURE», Neue Galerie, Graz, Austria. «AES TODAY», Center for Contemporary Art «Ujazdowski Castle», Warsaw, Poland. |
| 1996 | «MOSCOW — BERLIN, THAN EVERYWHERE...», Guelman Gallery, Moscow. «LEDA AND SWAN», Hotel «Estrel», Berlin. |
| 1995 | «BODY SPACE», State Center of Contemporary Art Moscow. «A NINETEENTH CENTURY RUSSIAN LANDSCAPE», Internationale Austausch Ateliers Region Basel, CMS, Switzerland. «FAMILY PORTRAIT IN THE INTERIOR», XL Gallery, Moscow. «THE TRAUMA OF THE SPINE», Reserve Palace, Tzarskoe Selo, St. Petersburg. «A NINETEENTH CENTURY RUSSIAN LANDSCAPE», Academie der Kunste, Berlin. «THE PRINCE AND THE BEGGAR», Guelman Gallery, Moscow. |
| 1994 | «KAIN AND ABEL», Galerie Caspar Bingemer, Hamburg, Germany. «SCAR», Guelman Gallery, Moscow. |
| 1993 | «THE ART OF POSSIBILITIES», Guelman Gallery, Moscow. |
| 1992 | «AES — DREI KUNSTLER AUS MOSKAU», Die Galerie der Stadt Esslingen, Germany. «CHILDREN'S BIBLE», Salzau, Cultural Center of Schleswig-Holstein, Germany. |
| 1991 | «EAST-WEST» Gallery, London, England. «DAS IRDISCHE PARADIES», ifa-Galerie Friedrichstrasse, Berlin, Germany. |
| 1990 | «PATHETISCHE RHETORIK», Galerie InterArt , Berlin, Germany. |
| 1989 | «APOLLO INSPIRING AN EPIC POET», «Howard Yezersky» Gallery, Boston, USA. Representation and performance in Carpenter Center (Harvard University), Cambridge, USA. |
SCHOLARSHIPS:
| 2001 | Residency in YADDO, Saratoga, NY, USA |
| 1999 | ArtsLink-CEC International Partners Fellowship in Art in General, New York, USA. |
| 1997 | Scholarship in Cite Internationale des Arts, Paris, France. |
| 1996 | Scholarship in Vermögensvervaltung Streletski — Victoriahof, Berlin, Germany. |
| 1995 | «Kulturdorf» — State Center of Contemporary art, Scholarship in Reserve Palace, Tzarskoe Selo, St. Petersburg. Scholarship in Internationale Austausch Ateliers Region Basel, CMS, Switzerland. |
| 1992 | Scholarship in Salzau, Cultural Center of Schleswig-Holstein, Germany. |
GRANTS:
| 2002 | Grant for realisation of the project «More Than Paradise», Kultur Kontakt Austria, (Vienna). |
| 1999 | Travel grant, ArtsLink-CEC International Partners (New York), «Open Society» Institute of Soros (Moscow). Travel grant, «Open Society» Institute of Soros (Moscow). |
| 1998 | Travel grant, «Open Society» Institute of Soros (Moscow). |
| 1997 | Grant for Catalogue «AES Today», Soros Center for contemporary art. |
| 1995 | Grant for Catalogue «Body Space», Soros Center for contemporary art. |
Works in Public Collections
Centre d'Art Contemporain Georges Pompidou, Paris, France.
FNAC, Paris, France.
FRAC – Franche-Comté, France.
Les Abattoirs, Toulouse, France.
Maison Européenne de la photographie, Paris, France.
Moscow House of Photography, Moscow, Russia.
The State Tretyakov Gallery, The National Collection of Contemporary Art, Moscow, Russia.
The State Russian Museum, St.-Petersburg, Russia.
Moscow Museum of Contemporary Art, Moscow, Russia.
M. Guelman Foundation for Contemporary Art, Moscow, Russia.
Chronolux, Corporative Collection, Moscow, Russia.
Alltech, Corporative Collection, Moscow, Russia.
Locarno Video Bank, Switzerland.
Musèe de l’Elisèe, Losanne, Switzerland.
Moderna Museet, Stockholm, Sweden.
Joy of Giving Something Inc. (JGS), New York, USA.
Neue Galerie, Graz, Austria.
Stadt Galerie, Esslingen-am-Neckar, Germany.
Collection of the Comunidad de Madrid, Spain.
BIBLIOGRAPHY
Catalogues
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| 2004 | REVENGE OF ROMANCE, Catalogue, temporary/contemporary, London, UK, pp. , ill. RECONTRES DE LA PHOTOGRAPHIE ARLES 2004, Catalogue, Arles, France, pp. , ill. ON REASON AND EMOTION. BIENNALE OF SYDNEY 2004, Catalogue, Sydney, Australia, ‘The desecration of the image of a child’ by Ekaterina Dyogot, pp.30-31 , ill.. BERLIN-MOSCOW / MOSCOW-BERLIN, Catalogue, Trilistnik Publishers, 2004, Moscow, Russia, Vol 1 (Art), pp. 264, 293, ill. "ART MIAMI 2004", Catalogue, Miami Beach, USA, COFA / Claire Oliver Fine Art, NY, , pp34-35, 130, ill. |
| 2003 | PARIS PHOTO 2003, Catalogue, Paris, France, 2003, Galerie Carre Noir, pp.30-31, ill. "KFNY / The King of the Forest, NY", Catalogue, COFA / Claire Oliver Fine Art, New York, USA, ill. "BERLIN-MOSCOW / MOSCOW-BERLIN", Catalogue, 2003, pp. 258, 296, ill. "GLOBAL > DETAIL. Noordelicht X", Catalogue, USVA Noorderlicht Photogallery, Groningen, Holland, curated by Wim Melis, pp. 78-79, ill. "Neue Ansätze / Zeitgenõssische Kunst aus Moscau", Catalogue, Kunsthalle Düsseldorf, Germany, text by Olga Sviblova, pp. 4-5, 35-37, 76,.ill. "AES Group. OASI – Espaya islàmica", Catalogue, Fundació La Caixa, Barcelona, Spain, "All that glitters is not gold" by María José Balcells, "Islamic Project: The Witnesses of the Future" by Pepa Palomar; ill. "Uber MENSCHEN" Colloquium of the College Friedrich Nietzsche at the Stiftung Wemarer Klassik und Kunstsammlungen in collaboration with the ACC Gallery and the City of Weimar, the Province of Modena (Italy) and Clo Ceardlann na gCnoc (Ireland) with the support of the programm Culture 2000 of the European Union, Weimar, Germany, The King of the Forest, pp. 32-37, 136-141, 240-245, ill. VEIL. VEILING, REPRESENTATION AND CONTAMPORARY ART, Catalogue, Institute of International Visual Arts, London, in association with Modern Art Oxford, England, pp. 12-13, 26, 188, ill. |
| 2002 | RE-ORIENTATION, Catalogue, Galerie ACC, Weimar, Germany, pp. 180-185 by Andrea Dietrich “Funf Stunden voraus”. |
| 2001 | AES+F, SOPHIE CALLE, FABRICE HUBERT, ELIAN LILLE, Bulletin de la Galerie Sollertis No 82, December 2001, ill. SENSE OF SPACE. Noorderlicht International Photofestival. Catalogue. 2001, Groningen, Holland, pp. 93-98, 142, ill. WARHOL WEEK IN MOSCOW, 2001, Catalogue, Moscow, p. 44, ill. AES. ISLAMIC PROJECT, Bulletin de la Galerie Sollertis No 78, May 2001, ill. ART MOSCOW, 2001, Catalogue, Moscow. FASHION AND STYLE IN PHOTOGRAPHY, 2001, Catalogue, Moscow House of Photography, Moscow. ISKUSSTWO 2000, Catalogue, Rosenheim Kunsverein, Germany. |
| 2000 | DOLL BY THE STAR, Catalogue, Moscow, Russia, pp. IX, XI, 125, ill. BIENNALE DE LYON, Catalogue, Lyon, France. IMPACT FILM FESTIVAL, Catalogue, Utrecht, Holland, p. 26. |
| 1999 | FESTIVAL ATLANTICO’ 99, Catalogue, Lisbon, Portugal, pp. 46-47. AFTER THE WALL, Catalogue (two volumes), Modern Museum, Stockholm, 1999, by Branimir Stojanovic, Volume II, pp. 006-007, ill. UN MATIN DU MONDE, Catalogue, Galerie Eric Dupont, 1999, Paris, by Evelyne Jouanno, ill. |
| 1998 | BELEF-98 Art Festival, Catalogue, Belgrade, pp. , ill. 2nd MONTH OF PHOTOGRAPHY IN MOSCOW. PHOTOBIENNIAL-98, ill. Catalogue, Moscow House of Photography, Moscow, 1998, pp. 180-181, ill. 11TH TALLINN PRINT TRIENNIAL. Catalogue, Tangents, Tallinn Art Hall, 1998, Tallinn, pp. 198-199, ill. ACADEMY OF COLD. Catalogue, Odessa, pp. , ill. |
| 1997 | THE WORLD OF THE PERCEPTIBLE THINGS IN PICTURES — END OF THE 20th CENTURY. Catalogue, 1997, Moscow, pp. 84, 236, 308, ill. 2000 - 3. ART SPACE PLUS INTERFACE. Catalogue, Neue Galerie, Graz, Austria, 1997, by Mika Hannula, pp. 10-15, ill. AES TODAY. Catalogue, Centre for Contemporary Art "Ujazdowski Castle", Warsaw, Poland, 1997, by Ekaterina Dyogot, pp. 5-7, by Mika Hannula, pp. 24-28, ill. MOSCOU VANDAAG, Catalogue, De Vereniging Voor het Museum van hedendaagse Kunst te Gent, Gent, Belgium, pp. 1,5, ill. |
| 1996 | 1st MONTH OF PHOTOGRAPHY IN MOSCOW. PHOTOBIENNIAL-96. Catalogue, Moscow House of Photography, Moscow, 1996, p. 85, ill. EUROPEAN ART FORUM, Catalogue, 1996, Berlin, Guelman Gallery, pp. 140-141, ill. |
| 1995 | BODY SPACE. Catalogue, Moscow, 1995, by Valery Podoroga, "Body, Anatomy and Object's World", pp. 7-24; by Victor Miziano, "AES's poetics: to speak about a body", pp. 31-32, ill. A NINETEENTH CENTURY RUSSIAN LANDSCAPE. Catalogue, 1995, Basel, Switzerland, ill. ZEITGENOSSISCHE FOTOKÜNST AUS MOSKAU. Catalogue, 1995, NBK, Akademie der Künste, Berlin, Germany, ill. CONTEMPORARY ART IN MOSCOW. Guide of artists and art institutions, ABC, BOOQ Design, 1995, Moscow, pp. 23, 58, 166, ill. |
| 1992 | AES. DAS IRDISCHE PARADIES. Catalogue, 1992, IFA-Galerie Friedrichstrasse, "Das irdische Paradies. Projektionen Postmoderner Malerei un Zeitalter der Dekonstruktion" by Barbara Straka, ill. |
| 1991 | ARS BALTICA PROLOG. FACE TO FACE. Catalogue, 1991, "Face to face" by Maaretta Jaukkuri, pp. 11-23, "AES artists group, Moscow", an interview by Constantin Akinsha, pp. 55-59, ill. SIX RUSSIAN ARTISTS AROUND A BOOK. Catalogue, 1991, National Museum, Stockholm, by Jury Molok, pp. 3-10, ill. |
Art magazines
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| 2004 | ART ACTUEL, May-June 2004, France, ‘Biennale Photo de Moscou. Sourez, camarades!’ by Barnar Matarov, ill. ART MONTHLY AUSTRALIA, Sydney, Australia, cover, ill. ARTE, Mai 2004, Italy, ‘Biennale con I guru della fotografia sovetica. Tra videogame e contestazione’, p.34, ill. ARTNEWS, Vol. 103, No. 2, February 2004, USA, ‘AES+F’ by Arlene McKanic, pp. 112-113, ill. ARTPHOTO, No 4, 2004, Bucharest, Romania, ‘AES+F’ text by AES+F, pp. 70-81, ill. ATELIER, No 18, September 9 2004, Prague, Chech Republic, ‘5 Fotobienale v Moskve’ by Vladimir Birgus, ill. AUJOURD’HUI PHOTOS, April 2004, Paris, ‘Biennale de Moscou’, p.3, ill. AUSTRALIAN ART REVIEW #5 2004, Sydney, Australia, "A Brazen" by Anne Loxley, pp. 56-59, ill. BLACK AND WHITE magazine # 31 2004, Australia, pp. , ill. BLAST #9, Paris, France, "L’Assassin est Parmi Nous" by Audrey Mascina, pp. 7, 68-71, ill. CONTEMPORARY, 2004, UK, ‘Moscow. The Fifth Moscow Photography Biennale’, ill. FLAIR, May 2004, Italy, ‘Dalla Russia, un’emozione’ by Laura Incardona, pp.17-26, ill. FLASH ART International, Vol. XXXVII, No. 234, January-February 2004, Milan, “AES+F” by Amanda Church, pp. 67, 71, ill. FOTOGRAFIE MAGAZINE, 10/2004, Prague, Chech Republic, ‘Moskva a Arles’ by Vladimir Birgus, pp.9-13, ill. FOTOPOST, vol.2, no.4, 2004, Toronto, Canada, by ‘Arles Recontres de la Photographie 2004’ by Katy McCormick, p.9, ill. IMAGES # 5, July-August 2004, Paris, France, ‘Songes anticipation realite? Collectif AES+F’ by Sophie Bernard, pp. 56-59, ill. L’OEIL, May 2004, Paris, France, ‘Images de la Russie en quête d’image’ by Paul Ardenne, p.38-39, ill. LE PHOTOGRAPHE, Mai 2004, Paris, France, ‘Moscou. Photobiennale 2004’, ill. NY ARTS / BERLINER KUNST MAGAZINE, Vol. 9 No 1, January 2004, cover, ill. NY ARTS /BERLINER KUNST MAGAZINE, Vol.9 No 9-10, September 2004, New York, USA, ‘AES+F group Helps Arts Conquer Mass Media’ by Elena Zaytseva, p. 33, ill. PHOTO, No 411, July-August 2004, Paris, France, "Les 35es Recontres d’Arles" by Jemina Boraccino, pp. 84-87, ill. PHOTO, No 409, Mai 2004, Paris, Moscow, ‘Moscou: 5e Êdition de laPhotobiennale’ by Dominique Godrèche, p.60-64, ill. PHOTONEWS, June 2004, Germany, ‘Masse und Klasse – die 5. Fotobiennale in Moskau’ byChristine Roth, pp.4-5, ill. SOURCE, The Photographic Review Issue 39, Summer 2004, London, UK, ‘The 5th Moscow Photobiennale’ by Susan Bright, ill. |
| 2003 | FOTOGRAF, 2003, Prague, Chech Republic, ‘Profile: AES’ by Simona Vladikova, pp.10-13, ill. ARTNEWS, April 2003, COFA/Calire Oliver Fine Art, New York, USA, pp. , ill. EXIT Imagen & Cultura, No. 8 2003, Madrid, Spain, p.?, ill. |
| 2002 | EXIT Imagen & Cultura, No. 7 2002, Madrid, Spain, cover, p.3, ill. EXIT Imagen & Cultura, No. 6 2002, Madrid, Spain, pp. 14-15, 130-131, ill. FLASH ART International, Vol. XXXIV No 224 May-June 2002, Milan, Italy, by Yu-Hisao-hwei pp. 65, 67. KUNSTFORUM International,, No. 158, January-March 2002, Berlin, Germany, by Ulrike Lehmann, cover, pp. 2, 424-425, ill. |
| 2001 | NU: THE NORDIC ART REVIEW, Vol. III No.6/01, Stockholm, Sweden, “Not-strangled-yet” by Ekaterina Degot, pp. 50-53, ill. ART CHRONICA, No 6 2001, Moscow, Russia, ill. ART CHRONICA, No 4-5 2001, Moscow, Russia, ill. BEAUX ART, Special issue 2001, Paris, France, pp. 74-75, ill. |
| 2000 | INTERVISTA No , May 2000, Milan, Italy, "AES group" by Evelyne Jouanno, ill. AES group, CRUDELIA, No II, July-September 2000, Rome, Italy, “Othello. Asphyxiophilia”, p. 9, ill. |
| 1999 | Catherine Millet an interview of Bojana Pesich, ART PRESS, No 250, 1999, Paris, France, "After the Wall", pp. 42-50, ill. CANS (The Chinese Art News), April 1999, Taiwan, p. 129. Alexandre Bohn, ART PRESS, No 245, 1999, Paris, "Un matin du monde" pp. 87-88, ill. |
| 1998 | Silvia Hochfield, ART NEWS Magazine, June 1998, New York, USA, "3 Penny Exhibition" p. 130, ill. MAX, 1998, Hamburg, Germany, p. 19, ill. Branislav Dimitrijevic, NEW MOMENT, No. 9/10, 1998, Slovenia, "A non-PC art project", pp. 72-77, ill. Igor Zabel, KHOUDOZHESTVENNIY JOURNAL (Moscow Art Magazine), No. 22, 1998, Moscow, Russia, "We and the others", pp. 27-35, ill. |
| 1997 | Archi Galentz, FILMZEIT, March-April 1997, Berlin, Germany, AES interview, pp. 19-24, ill. Mika Hannula, SIKSI. The Nordic Art Review, Oslo, Norway, vol. XII, Spring 1997, pp. 50-53, ill. Dominique Gaesler, PHOTOGRAPHIES MAGAZINE, 1997, Paris, France, p. 14-17, ill. Alexsandar Boshkovich, MARGINA, No. 36, 2/97, Skopye, Macedonia, pp. 142-149, ill. |
| 1996 | Gregory Ingleright, ART, 7/96, Hamburg, p. 114, ill. AES group, ART, 12/96, Hamburg, Germany, p. 8, ill. NEUE BILDENDE KUNST, No12, 1996, p. 54, ill. Alexander Balashov, KHOUDOZHESTVENNIY JOURNAL (Moscow Art Magazine), 12/96, Moscow, Russia, p. 48-51, ill. Oleg Kireev, KHOUDOZHESTVENNIY JOURNAL (Moscow Art Magazine), 12/96, Moscow, Russia, p. 85, ill. Marat Guelman, AESTHETE, No. 1, 1/96, Moscow, Russia, p. 100-101, ill. |
| 1995 | Vitaliy Patsukov, KHOUDOZHESTVENNIY JOURNAL (Moscow Art Magazine), No. 6, 1995, Moscow, Russia, pp. 26-27, ill. |
| 1993 | Susan Read, CIRCA Art Magazine, No. 63, Spring 1993, Belfast, Ireland, pp. 24-29, ill. Galina Kouryerova, KHOUDOZHESTVENNIY JOURNAL (Moscow Art Magazine), No1, 1993, Moscow, Russia, p. 42, ill. |
| 1992 | Constantin Akinsha, ART NEWS Magazine, January 1992, New York, USA, "After the Coup. Art for Art’s Sake" pp. 108-113, ill. |
| 1991 | Victor Miziano, FLASH ART MAGAZINE. International Edition, Vol. XXIV, No. 158, May-June 1991, Milan, Italy, "Old Fashioned Passion" pp. 110-113, ill. Martin Tschechne, ART, 12/91, Hamburg, Germany, "Am Einkaufszentrum war kein Platz für Plakatkunst" p. 21, ill. |
| 1990 | Constantin Boym, PRINT MAGAZINE, XLV-II, March-April 1990, New York, USA, "Reviding in USSR" pp. 76-85, ill. THE ART NEWSPAPER, International Edition, Vol. I, No. 2, November 1990, London, England, "Beyond perestroika: from Ogonyok with love" p. 5, ill. CREATIVE REVIEW, 11/90, London, "Cultures collide in Cambridge" p. 15, ill. |
| 1989 | Constantin Boym, INTERNATIONAL DESIGN MAGAZINE, May-June 1989, New York, USA, "Notes from the Underground" p. 34, ill. |
Newspapers
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| 2004 | IL MANIFESTO, August 27 2004, Rome, Italy, ‘Scatti di realismo magico’ by Matilde Hochkofler. MK (Moskovsky Komsomolets), No, May 5 2004, ill. MK (Moskovsky Komsomolets), No 086, April 20 2004, by Marina Ovsova, ill. VREMYA NOVOSTEY, April 20 2004, Moscow, by, ill. LE FIGARO, May 3 2004, Paris, France, ‘Plue d’images sur Moscou’ by Françoise Dargent, ill. THE MOSCOW TIMES, April 30-May 2 2004, Moscow, Russia, “Digital Critics’ byAnna Malpas, p.1, ill. TAGESSPIEGEL, May 18 2004, Berlin, Germany, “Zuckerguss und Massenmord // Osteuropäische Kunst nach dem Kommunismus: eine Berliner Ausstellung zeigt "Privatisierungen" by, pp. 22, ill. LE MONDE, MAY 2-3 2004, ‘Agenda Photo. Mois de la Photo à Moscou’, ill. NEUE ZÜRICHER ZEITUNG, 2004 |
| 2003 | THE SUNDAY TIMES, November 30 2003, “Behind the Veil”, by Waldemar Januszczak, ill. IZVESTIYA, 18 November 2003, Moscow, Rossia, “We should look carefully” by Olga Kabanova, p. 14, ill. KOMMERSANT, No 210, November 18 2003, Moscow, Rossia, “How taxi-drivers pick up women passengers”, by Irina Kulik, pp. 21. NEZAVISIMAYA GAZETA, No 210, November 18 2003, Moscow, Rossia, “Fashion for War”, by Michail Sidlin, ill. RHEINISCHE POST (DÜSSELDORF), July 3 2003, DÜsseldorf, Germany, ill. ZÜDDEUTSCHE ZEITUNG, June 20 2003, Dusseldorf, Germany, “Die Armee der Wegwerfmenschen”, by Alex Rühle, ill. PRINZ-KÖLN, ˲θ 2003, Cologne, Germany, “Kunst zu Zeiten Putins”, ill. KÖLNISCHE RUNDSCHAU, July 27 2003, Cologne, Germany, “Heuhaufen und sprechende Jacken” by Ulrich Traub, ill. FRANKFURTER ALLGEMEINE SONNTAGSZEITUNG, No. 22, June 1 2003, FrankfurtÚ-am-Main, Germany, “Im Abendrot der Utopien”, by Georg Imdahl, ill. VREMYA NOVOSTEY, February 7, 2003, by Olga Romantseva. VEDOMOSTI, February 14, 2003, by Oleg Zintsov, ill. ROSSIA, February 11, 2003, by Olga Galakhova. NEZAVISIMAYA GAZETA, February 12, 2003, by Grigory Zaslavsky, ill. KOMMERSANT-DAYLY, No. 23, February 11, 2003, by Roman Dolzhansky, p.22 , ill. IZVESTIYA, No. 23 (26340)-M, Febryary 10 2003, by Marina Davydova, p.8, ill. |
| 2001 | DER SPIGEL, Nov 2001, Berlin, Germany. LE MOND, Nov 2001, Paris, France. LIBERATION, May 4 2001, Paris, France, "Islamic Project, Allah Morphosé", p. T15. |
| 2000 | TAGES-ANZEIGER, 13 October 2000, Zurich, Switzerland, by Tim Zulauf, p.59, ill. |
| 1998 | William Zimmer THE NEW YORK TIMES, Sunday, February 1, 1998, New York, "Eastern Europeans Envision the Future", ill. Blake Eskin, FORWARD, NYC, February 20, 1998, New York, "Russian-Jewish Art Angers Rutgers Muslims", pp. 1, 8, ill. Kelly Keegan, THE DAILY TARGUM, New Brunswick (NJ), February 19, 1998, "Three cents worth", pp. 7, 14, ill. by Frederick Kaimann, HOME NEWS TRIBUNE, NJ, January 29, 1998, "Icons of Fear", pp. F1, F5, ill. Dan Blachoff, THE STAR LEDGER, NJ, Friday, February 13, 1998, "Slow thaw for artists from the Cold War era", ill. Mette Sandbye, KULTUR WEEKENDAAVISEN, February 27 — March 5, 1998, Copenhagen, Denmark, "Russisk Boheme", pp. 1-2, ill. DANAS, Tuesday, August 25, 1998, Belgrade, Yugoslavia, ill. DEMOKRATIJA, Wednesday, August 26, 1998, Belgrade, Yugoslavia, ill. |
| 1997 | Rainer Metzger, DER STANDARD, September 29, 1997, Vienna, p. 9, ill. Barbbara Majewska ZICIE, 12/11 1997, Warsaw, Poland, p. 10, ill. Monika Kuc, GAZETA WYBORCZA, No. 1(113), 2/12 1997, Warsaw, Poland, ill. Jan Boncza-Szablowski, RZECZPOSPOLITA, No. 285 (4842), 8/11 1997, Warsaw, Poland, ill. |
| 1996 | Sergey Epikhin, Andrey Kovalyov, SEGODNYA, January 20, 1996, Moscow, p. 10, ill. Andrey Kovalyov, Vladimir Levashov, SEGODNYA, No. 67, April 1996, Moscow, "Photorobot II", p. 10, ill. Brigitte Werneburg, DIE TAGES ZEITUNG, May 27, 1996, Berlin, "Und wieder Bad Beuys über Russland", p. , ill. Vladimir Salnikov, SEGODNYA, No. 87, May 22, 1996, Moscow, p. 10, ill. Vladimir Salnikov, SEGODNYA, No. 91, May 28, 1996, Moscow, p. 10, ill. WOCHENPOST, No. 45, October 31, 1996, Berlin, p. 4, ill. Yury Zarubin & Vitaly Moev, EUROPA ZENTRUM (EZ), October 18, 1996, Berlin, p. 8, ill. EL DUSTOUR, 11/12 1996, Cairo, Egypt, p. 9, ill. |
| 1995 | Michail Bode, KOMMERSANT-DAYLY, No. 105, June 8, 1995, p. , ill. Dmitry Silin, IZYESTIYA/NEDELYA Weekly, July 9, 1995, Moscow, "Body Space", p. 41, ill. Ronald Berg, DER TAGESSPIEGEL, October 16, 1995, Berlin, p. 22, ill. |
| 1993 | Andrey Kovalyov, SEGODNYA, No. 18, May 21, 1993, Moscow, p. 12, ill. |
| 1992 | Maren Kruse, KIELER NACHRICHTEN, No. 131, June 6, 1992, Kiel, p. , ill. Josef Pomm, KIELER NACHRICHTEN, November 23, 1992, p. , ill. |
| 1991 | Jury Molok, RUSSKAYA MYSL, No. 3869, March 8, 1991, p. 15, ill. Niklas Kierkegard, SVENSKA DAGBLADET, May 17, 1991, Stockholm, p. 31, ill. Maren Kruse, KIELER NACHRICHTEN, No. 232, October 5, 1991, Kiel, p. 15, ill. HAMBURGER MORGENPOST, October 5, 1991, Hamburg, p. 17, ill. Susanne Weingarten, FRANKFURTER ALGEMEINE ZEITUNG, October 22, 1991, Frankfurt, p. , ill. Nikola Kuhn, DER TAGESSPIEGEL, December 12, 1991, Berlin, p. 23. Harald Flor, DAGBLADET, December 31, 1991, Oslo, p. 36, ill. Maren Kruse, KIELER NACHRICHTEN, No. 286, December, 1991, Kiel, p. 3, ill. |
| 1990 | Josef Williams, THE TIMES, No. 63,867, November 19, 1990, London, "Red is another colour" p. 23, ill. Pauline Hunt, CAMBRIDGE EVENING NEWS, November 15, 1990, Cambridge, England, "Free art paints new picture of Russia" p. 26-27, ill. |
ALBUMS / BOOKS
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| 2004 | WAM, Agey Tomesh Publishers, 2004, Moscow, ill. |
| 2003 | ART CONSTITUTION, The Illustrated Constitution of Russian Federation, Moscow, 2003, pp.58, 162, 314, 320, ill. |
| 2002 | GRAND THEORY / GRAND TOUR: NEGOTIATING SAMUEL HUNTINGTON IN THE GREY ZONE OF EUROPE, 2003, University of British Columbia, Johns Hopkins University Press, Canada, ill. BEST OF TANK MAGAZINE 1998-2000, 120 poung, Tank, Themes&Hudson, London, 2002, pp. 564-569, ill. |
| 1998 | Hou Hanru, CREAM. CONTEMPORARY ART IN CULTURE, Phaidon 1998, London, pp. 160-163, ill. |
| 1995 | WIT WORKS WOE, A. Griboyedov, 2 vol., "Ilbi", Moscow, 1995, ill. |
| 1992 | Constantin Boym, NEW RUSSIAN DESIGN, Rizzoli — New York, 1992, pp. 152-157, ill. |
| 1989 | DOUBLE RAINBOW, "Molodaya Guardia", Moscow, 1989, ill. |
